#How to get free digital copy codes for ultra violet code#

(they were polite and understanding I must say) they sent me an iTunes redemption code that has downloaded the following files: With a couple emails back and forth for the redemption code, etc. Rate your Flixster UV Experience: I put 'Poor'.Device as iPhone/iPad (don't remember which I put).You may also want to save yourself some back and forth in emails and give them your origional redemption code that came in the DVD/BR sleeve. Put in the Comment/Question that I need the movies in iTunes and that is why I buy didgital copies so that I can watch them on my iOS devices, otherwise I wouldn't buy them.Put in a Summary (something to hte effect of the movies not working on iOS devices and needingthem in iTunes).Until major studios demand changes in Ultraviolet or move away from it, streaming and VOD will continue to hammer away at the DVDs and Blu-rays they're trying to save. But when the system we have is so broken, it's really hard to support it. I want to support the studios that pay for the movies I love, and I want people who haven't transferred completely over to digital format to be able to access films (that's the main reason DVD and Blu-ray won't go away any time soon).

That can't be how they're hoping to save home video.

#How to get free digital copy codes for ultra violet download#

But the system they're forcing upon us right now is garbage, and actually creates less incentive to own the DVD than to just download the copy from iTunes.

I try to limit my purchases of physical media these days to only the Blu-rays that I know won't be equaled by streaming media any time soon, and I like that through Ultraviolet, studios are at least taking steps toward acknowledging this all-digital future. I can buy Magic Mike in HD on iTunes right now for $13- more than the physical DVD cost, but totally worth it for the lack of clutter and rage around trying to get Ultraviolet to work. More importantly, using Handbrake would cut off at the knees the dysfunctional program that is Ultraviolet, which is attempting to be a competitor to the dead-simple iTunes by being as infuriating as possible. It's infinitely easier to teach someone to use Handbrake to rip their own DVDs, and so long as they paid for them, essentially legal. My parents are both computer literate, but I wouldn't dream of asking them to go through this. And the entire time I was entering new passwords and following URLs and trying to get the system to recognize my password, I wondered just how many people on earth are technologically savvy enough- or patient enough- to deal with.

#How to get free digital copy codes for ultra violet movie#

It worked out, finally, but the quality of the movie on my retina display computer is still totally inferior to the Blu-ray on my TV, so in a way I'm back at square one. And as long as studios hang on to it, they'll only be killing their own physical media faster. The problem with it is simple: Ultraviolet is garbage. But many studios have embraced Ultraviolet, which allows them to promise the same 'digital copy' you would get with your DVD that would work with iTunes, but offers them a system over which they have more control (using a handful of third-party systems like Flixster and Vudu).

The closest thing we have to a universal content source is iTunes, where many many movies are available for purchase or rental, and where you're probably already keeping your music anyway. There's still incentive to own movies, since streaming licenses can run out with little warning, but the ability to organize your movies as neatly as they would be on your shelf is virtually nonexistent. You need to do something different if you want to store your movie on your Xbox or on your computer, on iTunes or simply somewhere on your hard drive. But just as there were years in which Blu-ray and HD DVD both competed for the high-def home video market, there are all kinds of ways to own your movies digitally right now, and it varies greatly based on how you're watching them. Studios and DVD manufacturers hate this- there are still a ton of profits to be made in selling physical DVDs and especially trumped-up Blu-ray sets, and a lot of studios seem frustrated with Apple's iTunes being the default method to buy digital copies of both music and movies.